The Four Color Media Monitor

Because if we're going to try and stop the misuse of our favorite comics and their protagonists by the companies that write and publish them, we've got to see what both the printed and online comics news is doing wrong. This blog focuses on both the good and the bad, the newspaper media and the online websites. Unabashedly. Unapologetically. Scanning the media for what's being done right and what's being done wrong.


Persepolis should win the grand prize at Cannes

Following their attack on 300, Iran's dictatorship now attacks a new cartoon based on a comic about a woman growing up there in the days of the Ayatollah's regime (via The Beat blog):

TEHRAN (AFP) - Iran has protested to France over the screening at the Cannes film festival of an animated film about a woman growing up in revolutionary Iran, slamming the movie as a "political act", local media reported on Monday.

"Persepolis", which stems from a best-selling comic book series by Iranian emigre Marjane Satrapi and is competing for the prestigious Palme d'Or, shows its heroine struggling with the authorities in the early days of the Islamic revolution.

"The Cannes film festival has selected a film about Iran which presents an unreal picture of the outcomes and achievements of the Islamic revolution," said a letter to the French cultural attache in Tehran carried by the press.

"Could the selection of this film... not be counted as a political or even anti-cultural act on the festival's part?" said the letter penned by the government-run Farabi Cinema Foundation.

The Farabi foundation works under the culture and Islamic guidance ministry and is tasked with promoting and marketing Iranian cinema all over the world.

It complained that "Persepolis" was the only Iranian film competing in the competition this year and accused the festival authorities of "acting in line with the biased policies of domineering powers" against Iran.

Satrapi, whose black-and-white comic-memoirs have been translated into more than 20 languages and won several awards, co-directed the film along with Vincent Paronnaud.

The film, to be premiered in Cannes on Wednesday, shows Satrapi's rebellious eight-year-old screen persona watching the downfall of the shah followed by the imposition of Islamic law after the 1979 revolution.

She witnesses the horrors of the war with Iraq, leaves for Austria but quickly feels the solitude of an exile.

Satrapi, who now lives in France, published the first book of the four-volume series in France in 2000.

The series has not been published in Iran, which applies tough vetting on publications and bans books deemed to be decadent and unIslamic or contrary to revolutionary values.

This is not the first time this year Iran has been angered by a major film.

In March the authorities and bloggers alike were infuriated by the war epic "300", a smash hit for its gory portrayal of the Greco-Persian wars, with officials saying the movie was "American psychological warfare against Iran."
Oops, I think I may have detected a slight distortion at the end there: Iran disapproved of the film's depiction of Persia as an antagonist.

I think the best answer to Iran over this would be to award Persepolis with the 1st prize at Cannes, and let them know what free society thinks of them and Ahmedinejad!

Update: Marjane Satrapi has answered and says that Iran is barking up the wrong tree, which they are.

Update 2: the film has won the Jury Prize at Cannes, which it shares with a Mexican entry at the festival. Good!

Open trackbacks: The Amboy Times, Mark My Words, Pirates' Cove.

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