Jim Lee's agenda choices are most reprehensible
A few weeks ago, in an example of his own radical leftism, artist and DC executive Jim Lee tweeted support for the following:
And with that, Lee's put himself firmly in the category where you'd have to separate art from artist. We should also consider that he's been with DC a long time, and appears to be one of the staffers who never objected to Eddie Berganza's vile conduct any more than the ex-publisher Dan DiDio. That's why Lee's support for transgender propaganda is so troubling by extension. As though his favoratism for Batman weren't bad enough. It all suggests Lee lives in a very dark, alienated world, which makes this whole affair that much sadder.
Needless to say, this is far-left activism at its most disturbing, a classic failure to judge based on logic. And all from the same artist who associated with Brad Meltzer, suggesting he has no issue with Identity Crisis, no matter how hurtful the product is to women. Lee is another ignoramus who turns a deaf ear and blind eye at how the transgender ideology is hurtful to women, and also to children. Even some feminists are already expressing regret over supporting the ideology. Of all the political tweets Lee could ever make, this stands out of recent as a most blatant example.Consider without judgment. Open your hearts (and minds) to change. Thank you and have a blessed day #transdayofvisibility https://t.co/UrrcYQ6QKA
— Jim Lee (@JimLee) April 1, 2021
And with that, Lee's put himself firmly in the category where you'd have to separate art from artist. We should also consider that he's been with DC a long time, and appears to be one of the staffers who never objected to Eddie Berganza's vile conduct any more than the ex-publisher Dan DiDio. That's why Lee's support for transgender propaganda is so troubling by extension. As though his favoratism for Batman weren't bad enough. It all suggests Lee lives in a very dark, alienated world, which makes this whole affair that much sadder.
Labels: misogyny and racism, moonbat artists, politics
