The Four Color Media Monitor

Because if we're going to try and stop the misuse of our favorite comics and their protagonists by the companies that write and publish them, we've got to see what both the printed and online comics news is doing wrong. This blog focuses on both the good and the bad, the newspaper media and the online websites. Unabashedly. Unapologetically. Scanning the media for what's being done right and what's being done wrong.


And now, regarding Marvel sales...

I took a look at this analysis for Marvel's own sales. People are still buying into their time-wasting company wide crossovers, or worse, mindlessly into Brian Bendis's stuff. However, I do see that Captain America, now being written minus its great hero, is dropping off in sales. But then, people should have known better than to buy the publicity stunt-laced 25th issue anyway. No matter what they've got in store, it's nothing compared to the impact they could make by honestly tackling some of the most pressing issues of today's world.

Update: very interesting. According to one of the commentors, Thunderbolts has undergone the variant cover treatment too:
Looks like I was right about T-bolts having a huge sales drop once the variant covers stopped and INITIATIVE banner was removed from the cover. That being said, the drop was no where near as big as I thought it would be. I think the reason why the book is still selling a lot more then the pre-INITIATIVE issues by the previous creative team, is because dealers MIGHT be ordering extra copies just in case many of the people who bought the book because of the INITIATIVE tie in, will still want to buy the book because they like the series new direction.
Let me guess, the mindless collectors have struck again, haven't they? I almost feel sorry for them at the same time I feel cross with them.

Update 2: and here's another thing to think about:
The sad truth of the matter, is that the current Marvel regime is only interested in heavily promoting and/or using gimmicks/stunts that last for 6 or more months on books that are written by creators who are either popular, critically acclaimed, and/or are celebrities. This is why Hudlin’s BP run had heavy promotion at the beginning, why Marvel allowed Hudlin to take Storm from the X-books and marry her and BP, and why the book has been saddled with crossovers and variant covers since the CW tie in issues. CABLE & DEADPOOL is NOT written by a writer who is either popular, critically acclaimed ,or a celebrity. This [is] why C&D isn’t getting as much promotion or gimmicks to make the book sale.
Down with celebrities-as-writers, I say! Because they're getting almost all the company backing, whereas all the truly dedicated get pushed to the sidelines. And because this is what'll ultimately ruin Marvel in the end.

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