What took place at the NY Jewish Comics Experience
The JTA/New York Jewish Week covered the new Jewish Comics Experience convention at Manhattan's Jewish History Center:
Now since we're on the subject, The Forward followed up on the news about Arnon Shorr and Joshua Edelglass's Brother's Keeper. I hope this GN's been highlighted at the convention, because, as noted again by the Forward:
More than 400 comic book lovers flocked to Manhattan’s Center for Jewish History on Sunday for the first-ever Jewish Comics Experience, a pop culture convention that was billed as the “ultimate comics and pop culture event.”Seeing that Miller attended this convention, it raises some important and relevant queries: does this mean he's willing to own and defend Holy Terror once again, recalling how 5 years ago, he kowtowed to the far-left by not only expressing regret for conceiving Holy Terror in the first place, he even apologized for condemning the Occupy movement, and added insult to injury by attacking Donald Trump, all in the pages of a paper as anti-Israel as the UK Guardian. And despite the incredibly stupid apology, he was still disinvited from a British convention. It remains to be seen if he's sorry he acted so stupidly now. Otherwise, what's the use of his attending this convention? Lack of courage is exactly what leads to all these tragedies, including 9-11, and even the terrorist attacks in France back in 2015. Similarly, if the convention doesn't have the courage to raise the issue of Islamofascism itself, that'll be a serious weakness.
Some 35 comics creators participated in the inaugural JewCE, including “Sin City” creator Frank Miller and underground comics legend Barbara “Willy” Mendes. Others participating were artists who specialize in depicting Torah stories, creators of Jewish superheroes, autobiographical writers who just happen to be Jewish and non-Jewish authors and artists who create Jewish content.
“It’s high time that Jewish creators are recognized for their contribution to comic culture, a culture that was for the most part created by Jewish people,” JewCE co-founder Fabrice Sapolsky told the New York Jewish Week.On this, those attending did the right thing. After such a horrifying bloodbath that the Hamas jihadists committed, it's vital to convey a message of solidarity with the Jewish people, and uphold the memories of famous creators like Siegel/Shuster/Lee/Kirby. However, this convention, unfortunately, has traces of PC to be found in the coverage, if anything:
Though the event was planned long before Hamas’ Oct. 7 attack on Israel and the subsequent war, the continued violence in the Middle East and its reverberating effects was resonant across the convention. In myriad panel conversations and in one-on-one discussions, the situation in Israel, increased antisemitism across the globe and the acute need for Jewish joy were frequent themes. For many creators and attendees, “showing up” and supporting the Jewish community was at the top of mind, while others noted the camaraderie among individuals who all shared a a love of Jewish culture.
According to Miriam Mora, the co-founder of JewCE and the director of programming at the Center for Jewish History, the difficult moment made a Jewish comic convention more relevant than ever. “Comics are worth paying attention to because there’s no better way to lift up our community and to fight antisemitism than to educate people about Jewish contributions, Jewish identities, Jewish stories than to celebrate them,” she said.
Indie “comix” icon Mendes, best known for the classic comic “It Ain’t Me, Babe,” agreed. “We just need people to know how wonderful we are because there’s a lot of propaganda out there that we’re terrible,” she told the New York Jewish Week. “We need to counteract that with proof that Jews are wonderful, and that’s what this is all about — and that’s why I’m so happy to be part of the convention.”
The history of Jews and comics is a long and rich one, beginning with the earliest comic book creators — nearly all Jews — to the continued presence of Jewish stories in both popular comics and more esoteric ones. For example, Marvel briefly had a Jewish Black Panther character, while, more recently, author Yehudi Mercato drew upon his Mexican-Jewish family for his middle-grade graphic memoir, “Chunky.” Meanwhile, some traditional Jewish texts have gotten the graphic novel treatment, including Mendes’ recent takes on the weekly Torah portion. [...]It's regrettable they've continued sugarcoating BP material that builds on some atrocious storytelling, right down to Ta-Nehisi Coates' own propaganda. And Coates is one of the worst far-leftists to ever be welcomed into the entertainment industry. If he could speak as abusively as he did about 9-11, there's no telling what he could say about Jews. I wouldn't want to own any of his comics based on what a far-left ideologue he happens to be. And that part about "queering" is quite telling on its own. It echoes what only so many far-leftists have been pushing and indoctrinating at schools, even going so far as to distort the Bible with it. Does that sit well with them?
That creativity was on full display Sunday as creators spoke at panels such as “Jewish Folklore in Comics,” “Queering Jewish Comics” and “Getting Past Ashkenormativity and Secularism in Comics.” Jewish publishers sold a variety of books and individual creators signed their work and mingled with fans. One table was run by the mother of a writer of a Holocaust education comic who couldn’t make the trip from Los Angeles.
Now since we're on the subject, The Forward followed up on the news about Arnon Shorr and Joshua Edelglass's Brother's Keeper. I hope this GN's been highlighted at the convention, because, as noted again by the Forward:
“One of my friends pointed at the screen and he said, ‘We need this. We need this now. We need this yesterday,’” Shorr recalled. “I was too close to it, I think, to see it or to recognize it,” he said. But his friend helped him realize that “this is a reminder that we’ve been here before and we’ve survived this before.”Let's hope it'll be translated into Hebrew, and practically as many other languages as possible; everyone and anyone the world over who's a realist needs to know this kind of history. And again, let's hope the convention at Manhattan's History Center stands solidly by it. That said, it's still a shame said convention is pushing leftist propaganda, and the JTA once again sugarcoated how the Jewish Black Panther was crafted.
As Edelglass kept pace with the drawings and Tomić with the colors, Shorr tried to figure out how to make the book widely available sooner rather than later. They’d bring copies to JewCE as planned, but they also made the comic available to order in hard copy online and to purchase as an e-book. Shorr is also working with his parents to translate the story into Hebrew and is looking into options for sharing Brother’s Keeper in Israel. [...]
But sitting down to draw night after night in the days and weeks following Oct. 7 was therapeutic for Edelglass. “The story moves from battle and turmoil to great hope,” Edelglass said. And he and Shorr hope it can be a source of comfort and hope for readers as well.
Labels: Black Panther, conventions, dc comics, Europe and Asia, golden calf of LGBT, history, indie publishers, islam and jihad, marvel comics, misogyny and racism, msm propaganda, politics, terrorism, violence
