Eisner awards nominated pretentious scribes
Perhaps I was being too optimistic when I hoped earlier that the Eisner awards was coming off their biases of the mid-2000s. Oregon Public Broadcasting says 3 local scribes, one who's definitely overrated, were nominated:
Three of Portland’s prominent comic book creators, Rupert Kinnard, Kelly Sue DeConnick, and Sarah Shay Mirk, are nominated for Will Eisner Comic Industry Awards — the Oscars of the comic industry, named for one of the first comic artists in American history. This week, they’re traveling to San Diego Comic Con to speak on panels, sign books, and attend the awards ceremony on Friday night. [...]DeConnick's one of the scribes who ruined Carol Danvers as a superheroine in the past decade, all for the sake of "feminist" agendas, and wokeism. And what's this Kinnard known for?
While DeConnick’s book FML is up for Best Continuing Series, both Mirk and Kinnard are nominated for Best Comics-Related Book, which Mirk described as “the nerdiest, wonkiest category.” For DeConnick, this nomination is one of many throughout her career after winning the award for Best Single Issue in 2022. For Mirk, this marks nomination number four.
Kinnard created the first Black queer comic strip characters, although he didn’t know he was first at the time. Born in Chicago in 1954, Kinnard moved to Portland in 1979 and helped start the queer newspaper Just Out.What's so special about that in the view of the leftists now running the Eisners? This is all woke cliche by today's standards. And then, here's what Mirk's known for:
He created The Brown Bomber, a nineteen-year-old superhero sporting basketball shorts and a home-made cape, and Diva Touché Flambé, a mystical grade school teacher who knocks sense into closed-minded streetgoers with her power of slapthology.
Together, the duo form Cathartic Comics, a strip that ran in newspapers in Portland and San Francisco, calling out injustice with wit, wisdom, and pride through an intersectional Black queer lens.
Sarah Shay Mirk is a nonfiction comics journalist, publisher, and teacher at Crucial Comix living in Portland since 2008.There's something mighty fishy about this book. What if it's apologia for terrorism, since many Islamic terrorists were incarcerated at Guantanamo, to keep them away from the USA's borders?
Their book Guantanamo Voices: True Accounts from the World’s Most Infamous Prison chronicles the experiences of former Guantanamo Bay prisoners and staff in the form of a graphic novel.
Kelly Sue DeConnick is a New York Times Bestselling comics author, known for her reimagining of the character Carol Danvers/Captain Marvel."Reimagining" is precisely the problem, since, not only was Danvers made to look alienatingly masculine in the past decade, her background was forcibly changed as well. And forced, abrupt retcons were becoming pretty common beginning in the early 2000s, with some of J. Michael Straczysnki's machinations in Spider-Man just the beginning. Also notice how they don't refer to Danvers as Ms. Marvel, which is what she was originally titled in the late 70s when the late Gerry Conway first launched the original series at the time. What's so special about scribes who don't care about the source material? This only clarifies the Eisners continue to remain corrupted in whatever values they once had, and serve leftist causes more than anything else. That's why they're not worth paying attention to, any more than the Oscars in Hollywood.
Her 2026 nomination for Best Continuing Series is shared with David López, the co-writer of FML, a graphic series from Portland-based publisher Dark Horse Comics.
Labels: conventions, golden calf of LGBT, history, indie publishers, islam and jihad, marvel comics, misogyny and racism, moonbat artists, moonbat writers, msm propaganda, politics, women of marvel





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